Posts Tagged ‘Tatsuro Yamashita Overseas reaction’

City Pop Popularity In Japan

Monday, May 2nd, 2022

The 1980s were the height of the City Pop genre, resulting in some of the best albums to be released during this period.

Tatsuro Yamashita often referred to as the “King of City Pop”, had already had a huge commercial success when he released his album “For You” in 1982. The singer Tatsuro Yamashita Overseas reaction is always so great that made him a global star.

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Although it featured the common themes of youthful optimism and American-influenced Japanese Pop, it was the first time Tatsuro was able to produce with an unlimited budget to work with.

There are many genres of music, and new jargon appears each day. City Pop is one such genre that hails from Japan that gained prominence in the 1980s due to the introduction of automobile stereos.

Even though Caramel Mama had their albums, however, they are most famous for supporting other artists in the 1970s, including Sugar Babe alumni Yamashita Tatsuro and Onuki Taeko.

Together, they helped make an established City Pop genre across Japan.

After their breakup at the end of 1973, the group Sugar Babe emerged onto the scene as a duo comprising Tatsuro Yamashita, Taeko Ohnuki] and released their 1975 hit single “Down Town” being another Japanese version of American pop. The track was not viewed with much notice from the populace, while the group was infamously booed off stage during a live show, which was followed by Sugarbabe being disbanded in the year 1976. H

owever, this didn’t discourage Tatsuro Yamashita Tatsuro or Taeko Ohnuki as they became two of City Pop’s most influential and significant producers and artists.

The Inimitable Genius Of Tatsuro Yamashita

Monday, April 4th, 2022

In Japan, Tatsuro Yamashita is actually said to be the king of pop music. He isn’t not only the superstar but got million-hit-after-million-hit on his albums though.

His most famous pieces are Ride on Time from 1980 and the 1982 album Christmas Eve, which took about six-and-a-half years to get to the top of the charts. You can get more info about Tatsuro Yamashita via sekaihonyaku.com/archives/category/music.

The latter is akin to Wham’s Last Christmas nowadays – a seasonal average played every year during Christmas time throughout stores and streets in Japan. He is less known for individual songs than for albums that transcend generations.

Yamashita makes his music with the belief and repetition of talent similar to a tradesman or craftsman. The label of his 1991 album Artisan is that he also understands this. His designs are never groundbreaking in their system; he stays within the limitations of what is real and famous.

His middle-of-the-road comfort is such amazing that nobody can do that. But somehow, for him, this amenity is the origin of the beauty of his music. His foundations in soul, funk, and disco, are combined with a relaxed yet strong voice, one whose melody makes color and movement that powerfully impacts the listener.

There’s the highway corner doo-wop and nostalgic American pop music from the ’60s, in which there was electric music of The Ventures seemed to have fused with the themes of the Four Freshmen. Then there’s the “blue-eyed soul” from shows like the Righteous Brothers, Beach Boys, and the Young Rascals. Folk music via Youngbloods,  Lovin’ Spoonful, and the Fifth Avenue Band.